Exhibitions

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Boise State University – Student Union Galleries Art Exhibition
April 14 – May 28, 2012

The Discourse of Thread

In this retrospective exhibition, mixed media works evoke nostalgia for the present and impending doom for the future. McCreedy conveys cloistered emotional connections by weaving in various textiles, an allusion to her identity, mother hood, memories and dreams.

Thread as a drawing material is used to reference hand-made craft and women’s work as it uncovers a social dynamic of her families past and the role of American women and gender. Painted layers are combined with drawing, printmaking and sculptural mediums. Layers are developed, texture is built and accidental marks become described and transform into a descriptive, specific or ambiguous subject matter.

Mother’s thread.

MothersThread_Monotype&GouacheOnMulberryPaper&SilkThread_13”x99”x 1:8”_2010 copy.jpg

Mother’s thread.

Six Panels - Details…

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Mother’s thread. – Panel #1

Monotype and Gouache on Mulberry Paper with Silk Thread, 13” x 14.5" x .125"m – 2010

MothersThread_DetailPanel#2_13”x14.5%22x1:8%22 copy.jpg

Mother’s thread. –

Panel #2

Monotype and Gouache on Mulberry Paper with Silk Thread, 13” x 14.5" x .125"m – 2010

MothersThread_DetailPanel#3_13”x14.5%22x1:8%22 copy.jpg

Mother’s thread. –

Panel #3

Monotype and Gouache on Mulberry Paper with Silk Thread, 13” x 14.5" x .125"m – 2010

MothersThread_DetailPanel#5_13”x14.5%22x1:8%22.jpg

Mother’s thread. –

Panel #5

Monotype & Gouache on Mulberry Paper with Silk Thread, 13” x 14.5" x .125"m – 2010

MothersThread_DetailPanel#4_13”x14.5%22x1:8%22 copy.jpg

Mother’s thread. –

Panel #4

Monotype & Gouache on Mulberry Paper with Silk Thread, 13” x 14.5" x .125"m – 2010

MothersThread_DetailPanel#6_13”x14.5%22x1:8%22 copy.jpg

Mother’s thread. –

Panel #6

Monotype & Gouache on Mulberry Paper with Silk Thread, 13” x 14.5" x .125"m – 2010

Sunday.jpg

Sunday

Collograph on BFK paper, 11.5” x 12” – 2011

Ethaniel, 2011, Collograph plate, 14.75” x 10.25” copy.jpg

Regarding ET’s eyes…

Collagraph on BFK paper, 3” x 8.5”- 2011

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In the End. In the Beginning.

A mixed media suspended work hung with single strands of thread. Layered are multiple acrylic Monotype prints on Dura-Lar and acrylic paintings on cotton gauze. Lying on the floor are multiple, red screen printed vellum notes for the viewer to engage. Each one asks: “What is Your Last Burning Desire”? and each one has a hand written answer via audience participation from a previous performance/group exhibition in Julie’s “In the End. In the Beginning,” Annual Student Printstallation - Modern Art 2012, Boise State University Printmaking Department, The Modern Hotel, Boise, ID, 48.5” x 108” – 2012

1In the End, In the Beginning, 2011, Mixed media installation, monotype on paper, cotton fabric, Dura-lar & multiple screen printed messages on vellum, 48.5” x 108”.jpg
2In the End, In the Beginning, 2011, Mixed media installation, monotype on paper, cotton fabric, Dura-lar & multiple screen printed messages on vellum, 48.5” x 108”.jpg

Group Shows

2FamilyInstallation View, 3-D mixed media wood, wire, & found objects, 4 trace monotypes, 2012_60%22x108%22_BFA_Exhibition_2012.jpg

Family, 2012 – Bachelor of Fine Arts (BFA) Student Art Exhibition:

“Under the Ladder”, Fine Art Galleries, Boise State University, Boise, Idaho.

In Julie’s installation “Family,” she is reacting to her own sense of place on motherhood and of her ancestry (present and past). Her multi-dimensional, emotionally charged work explores metaphor as a devise to clarify vitality, demise, and a tangled lineage.

The branches are natural, however forced together or apart through purposeful actions, solid yet precarious. Embellishments form a narrative using bailing wire, wax, wood epoxy, sterling silver wire, screws, acrylic paint and found objects.

Four large-scale Trace Monotypes prints inform the suspended branch sculpture. Each are hand pulled prints with multiple ink layers. On the back sides of the prints (not shown) are graphite pencil traced drawings, a process obscured as that layer is unseen against the wall - the discretion alludes to the many complicated sides a family posses.

1FamilyInstallation View, 3-D mixed media wood, wire, & found objects, 4 trace monotypes, 2012_60%22x108%22_BFA_Exhibition_2012.jpg

Family Installation

3-D mixed media wood, wire, found objects and Trace Monotype prints on Goyu Paper,.

1Family_Detail_MixedMedia_60%22x108%22_BFA_Exhibition_2012.jpg

Family –

Detail

Mixed Media sculpture, 60" x 108", BFA Exhibition – 2012

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Family – Detail

Mixed Media sculpture, 60" x 108", BFA Exhibition – 2012

2FamilyInstallation View, 3-D mixed media wood, wire, & found objects, 4 trace monotypes, 2012_60%22x108%22_BFA_Exhibition_2012.jpg

Family –

Installation View

3-D mixed media wood, wire, & found objects and Trace Monotype prints on Goyu Paper.

3FamilyInstallation View, 3-D mixed media wood, wire, & found objects, 4 trace monotypes, 2012_60%22x108%22_BFA_Exhibition_2012.jpg

Family –

Installation View

3-D mixed media wood, wire, & found objects and Trace Monotype prints on Goyu Paper.

4Family_TraceMonotypeOnGoyuPaper_49%22x29%22_BFA_Exhibition_2012.jpg

Family

Trace Monotype prints on Goyu Paper, 49” x 29”, BFA Exhibition – 2012

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Affinity

Trace Monotype on Goyu Paper, 49" x 29"

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Affinity –

Backside

Trace Monotype on Goyu Paper, 49" x 29"

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Quintessence

Trace Monotype on Goyu Paper, 49" x 29"

4Quintessence_BacksideDetail.jpg

Quintessence – Backside

Trace Monotype on Goyu Paper, 49" x 29"

5KindredHeart_MonotypeonGoyuPaper_49%22x29%22.jpg

Kindred Heart

Monotype on Goyu Paper, 49" x 29"

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